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As an innovative and conservation frame maker, we have been providing public and private collectors, individuals and artist with innovative custom framing solution and conservation services. Our philosophy is to design and create a safe and protective environment to preserve the techniques and materials used in the masterpieces, extending the lifespan and enhancing the value of your collection. Before we determine the appropriate framing and exclusive treatment options we give unique considerations to each piece of your collection (be it fine art, watch, doll, jewelry, fashion, audio/visual equipment, fabric material, porcelain, books, artifacts, coin, stamp) as each piece is different and distinctive in its own right. We are located at an exclusive service apartment and available by appointment only, allowing our customers to consult with us in a quiet and private environment. Collections stored in our premises are fully insured and protected by state of the art security system.

The frame
We provide innovative custom framing solutions to suit your collection, requirements and decoration. Once molding is chosen, a detail quotation will be provided. In 2008, WinSon Loh created an innovative and stylish frame more popularly recognized as the “elegant diamond signature” in celebration of his 25th anniversary framing services.

The conservation mount
Conservation mounting is one of the crucial parts of our innovative framing solutions. As the artwork is in direct contact with the mount, the choice of mount board is crucial in protecting framed works. Museum quality rag mat boards in a variety of widths and natural tones are designed to protect and preserve your collections. They are solid core, made from 100% cotton fiber which is a traditional paper making material, proven stable over hundreds of years. They are not only acid free but are designed to absorb acid from the art as well as the environment. Using non-archival (acidic) or inappropriate materials to adhere or support artwork can result in unnecessary damage and possible decrease in your collection’s monetary value.

Volcano Asención in Ometepe, Nicaragua.

The glazing
We also provide glazing services to a variety of collections. As for works on paper, it should be mounted away from the glass to allow for air circulation and movement. This is necessary because of moisture, smoke, acidic fumes and a host of threatening conditions artwork often faces. Pastels and chalk drawings should be held at least 5-6mm from the glass, using either ‘forward’ wood, double or triple mounts. Museum quality UV-filtering plexiglass and glass are available and recommended for valuable collections to protect them from the colour-fading UV-rays. Light exposure has a pronounced effect on paper condition and pigments. These products also offer anti-reflective and anti-static properties.

The backing boards
Our conservation innovative framing solutions include the use of proper backing boards. A matted or floated artwork is backed for further protection with an acid free corrugated board or a corrugated plastic board to protect the work from drastic humidity changes. It is then sealed with a black tape, which protects the artwork and preserves the frame. Inappropriate water based adhesives and tapes can cause severe damage, as the process with water will allow dry-wood termite to penetrate the frame. These adhesives often harden and become brittle, turning orange/brown in colour, causing the artwork to do the same while leaving unsightly marks. 3M Stoppers will be placed at corner edge of the frame to prevent direct contact with wall surface and allow air circulation.

Installation
We also offer personalised and professional services in the installation, display and selection of works. We have an established reputation for commissioning works for both private and corporate sectors. We use adjustable braided steel wire and levelling laser for accurate levelling and to minimize unnecessary damage to walls. D-ring hangers are attached to frames, covered with foam to avoid scratches on wall surface and also to protect other artworks which may come into contact with the framed work during movement and handling.